by Hannah Jones, published on WalesOnline and in The Western Mail
Interview
published 03.11.05 on davidsylvian.com
Rain Tree Crow" by Nigel Humberstone (SOUND ON SOUND, June '91)
by Nenad Georgievski
The Roar Of The Drone by Jon Kincaid (Stomp and Stammer, May 1999) David Sylvian returns.
by Jason Cowley
The Art Of Everything And Nothing by Justin Hampton (Stereotype, Feb. 2001)
Sylvian’s Fripperies by Steve Malins (Vox, July 1993) David Sylvian and Robert Fripp have combined forces to produce a new album, The First Time , but collaboration for the former Japan frontman and “aggressive perfectionist” hasn’t always run smoothly.
The sweet sound of a good cause by STEVE McCLURE Historically, the Japanese geinokai (entertainment world) has been slow to catch on to the idea of the charity concert/release. But now Ryuichi Sakamoto, a la Bob Geldof and the Band Aid famine-relief project, has put together an impressive array of Japanese and overseas talents on a track called “Zero Landmine,”
By Nick Coleman
Vittorio Pio (Il Mucchio) interview 2003 Vittorio Pio & davidsylvian.net
Future Music interview (nov/dec 2003, issue 143) by Danny Turner 2003 Future Music. Republished with kind permission of Future Music Magazine.
by BBC's Evgenie Kanevskomu. Transcript by Tuomas
By Sergey Chernov
By KEN KAWASHIMA
Interview by Claudio Chianura with David Sylvian in Italian magazine InSound (Nr. 1) december 2005, about Nine Horses. 6 pages in Italian with many photographs of Nine Horses and David/Steve performing live in 2003.
exclusive interview by Gerrit Hillebrand
Interview documentary for RollingStone.com by Adam Falik
by Mike Gee. Originally published online on www.thei.aust.com.
Wednesday, April 14, 1999 , Sylvian’s Bees buzzing again by DAVE VEITCH Transcript by John Sakamoto. Originally online interview (now defunct)
This is the full version of an article written for a Canadian music paper (April, 1999), which the editor found too controversial for him to print. He told me I could not compare religions in his publication, and was unaware that they all stem from the same root myths. He would not let me state that Sylvian practices forms of
by Anton Rush
by Craig Peacock The following interview took place in October 1994 at the P-3 Gallery near Shinjuku, one of Tokyo’s many shopping and business centres. The gallery itself is located in the basement of a temple. This is not as spiritual as one would expect, as it’s surrounded by ugly office and residential buildings. The clatter of modern life in
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