...question is quite funny. It was published around the time that David signed (or just didn’t) to Warner Classics. Scans provided by Benoit Engelen. ...
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...that. “The strict form gives you much more freedom to take chances and play around without alienating people. who — whether they realise it or not — recognise basic forms...
...in writing a lyric about myself which had no answer. It had a question about religion. I’ve got this thing with religions in general. I’m interested in people’s philosophies and...
...should ask the question, has it got any credibility of its own ?” The difference is not immediately obvious, and so without any credibility as an art critic I felt...
...meant more relaxed, happier having finally ditched the public image of the pop star of teen sensations Japan for the comfortable anonymity of the avant-garde. “It was like the opening...
...dans une rare entrevue. A Victim of Stars dbute avec un remix du morceau phare Ghosts, que vous chantiez avec Japan en 1981. tait-ce important pour vous de commencer avec...
...not complacent enough to sit back and think, Great, my world’s fine. I hope that doesn’t come over in the music because I’m always very unhappy about my current situation...
...Born in 1970 London, England A question often asked: What will music sound like in the 21st Century? Ask Talvin Singh. He lives there already. (David Toop) Though his...
...on it. “The lyrics question a lot of things but without any answers. Religion crops up now and again. With ‘Forbidden Colours’ I felt a’ need, a pulling to be...
...set uncompromising personal goals but question one’s place in the world. As a mature artist, Sylvian isn’t just weighing commercial success against artistic ambition – although his own progress on...
...track 3. Jim Anton – bass tracks 3 & 5. Recorded at Alma studios Minneapolis. Produced by David Sylvian and Ingrid Chavez. Engineered by Dave Kent. After many questions from...
...out urbane, literary and tremendously forward thinking music. In fact, Mick Karn’s peerless fretless bass musings combined with Richard Barbieri’s lavish keyboard work and Sylvian’s cultivated, enchanted crooning, with heady...
...answered a question from me concerning this piece, where he wrote that the Kin score definitely “won’t see the light of day”. Credits Choreography: Gaby Agis Installation: Kate Blacker Music:...
...free improvisation group AMM. Tilbury studied piano at the Royal College of Music with Arthur Alexander and James Gibb and also with Zbigniew Drzewiecki in Warsaw. 1968 he was the...
...Concerts”. Although in the pop scene, her music is high in quality yet unique and free, which cannot be categorized in any one genre of music. Residing in New York...
...Free lifestyle & culturee magazin from Norway, published September 2011. Article about David Sylvian and his performance at the Punkt Festival in Kristiansand. Three page article, written by Sophus...
...no easy feat. But over the course of 30 years, starting as a teenager with the New Romantic band Japan and through a series of acclaimed solo albums, David Sylvian...
...This CD came free with The Wire magazine June 2005 (UK). On the album there’s a track of the Deviationists, called Sweetest Charms. This track uses (unofficially) samples of...
...Seminal British free improvising avant garde guitarist Derek Bailey has died this Christmas day in London, aged 74. Derek is known for his collaboration with David Sylvian on the...
...colour prints of his polaroid collages, featuring many famous persons as subject of those collages like Steve Jansen, Holger Czukay, Yuka Fujii and Angus McBean.Compared to the UK edition, there...
...As published in Janus, July 1st 1999. By David Sylvian and Carl De Keyzer Janus magazine is a free magazine as delivered with the Belgium paper De Standaard. A...
...his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to “geometric” bowed cymbals and metallic percussion. All material...
...is rock music both hard and soft, tightly focused and yet free to roam. A happy medium between many modes of popular and alternative music, it’s like nothing you’re likely...
...influenced by industrial music, by Autechre’s cut-up techno and by Merzbow’s free noise. Fennesz is a composer of electronic music for electric guitar. The single Plays (Mego, 1998), that deconstructs...