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By KEN KAWASHIMA

Wednesday, April 14, 1999 , Sylvian’s Bees buzzing again by DAVE VEITCH Transcript by John Sakamoto. Originally online interview (now defunct)

by A.D. Amorosi

Barnes & Nobles special published online in january 2001. Currently removed.

by Craig Peacock The following interview took place in October 1994 at the P-3 Gallery  near Shinjuku, one of Tokyo’s many shopping and business centres. The  gallery itself is located in the basement of a temple. This is not as  spiritual as one would expect, as it’s surrounded by ugly office and  residential buildings. The clatter of modern life in

by Mike Gee. Originally published online on www.thei.aust.com.

Inexorably Sylvian by Nile Larsen (Details, April 1988)

  “The Day After” by John Diliberto (Jazziz Magazine May 1994) Crisis as a source of art has always been romanticized in the West. You’ve got to suffer if you want to sing the blues, cut off your ear if you want your art to bleed, and endure the pits of depression if you want to leave something behind when

Spurning Japanese by Simon Dudfield and A.J. Barratt (NME, Mar. 1991) David Sylvian has little time for his last group, glam rockers made good JAPAN, so why has he chosen to team up with his old cohorts again as ambient moodies Rain Tree Crow? Simon Dudfield puts it down to the peculiar flight path of `true art’. Seconding that emulsion:

by Dave Rimmer Having spent over five years behind a thick layer of make-up, David Sylvian has emerged from the cocoon of Pop Celebrity to make a butterfly foray into the avant-garde. His new work lies somewhere between wallpaper and revolution. But nobody seems quite sure.

Exorcising Ghosts (Rain Tree Crow) by Mark J. Prendergast (Lime Lizard, May 1991) From surrealist parrots to the japan reunion, Mark J. Prendergast gets ambient with David Sylvian who explains why it’s o.k. to shout insults at bricks.

by Anton Rush

by Mark Prendergast Originally published in two parts; Record Collector April and May 1990.

by Josef Woodard