by Jason Cowley
Blog
Rain Tree Crow" by Nigel Humberstone (SOUND ON SOUND, June '91)
by Darren J.N. Middleton
by Hannah Jones, published on WalesOnline and in The Western Mail
By Sergey Chernov
by A.D. Amorosi
This is the full version of an article written for a Canadian music paper (April, 1999), which the editor found too controversial for him to print. He told me I could not compare religions in his publication, and was unaware that they all stem from the same root myths. He would not let me state that Sylvian practices forms of
by Anton Rush
Wednesday, April 14, 1999 , Sylvian’s Bees buzzing again by DAVE VEITCH Transcript by John Sakamoto. Originally online interview (now defunct)
Trophies exclusive interview 2002 by G. Hillebrand. This is part 3.
by Craig Peacock The following interview took place in October 1994 at the P-3 Gallery near Shinjuku, one of Tokyo’s many shopping and business centres. The gallery itself is located in the basement of a temple. This is not as spiritual as one would expect, as it’s surrounded by ugly office and residential buildings. The clatter of modern life in
by Tony Bonyata
Interview documentary for RollingStone.com by Adam Falik
SYLVIAN / FRIPP by Steve Holtje (Creem Magazine September ’93) “There is no one structure which is universally appropriate,” wrote Robert Fripp in the liner notes to his 1981 album, Let the Power Fall. That bit of wisdom goes a long way towards explaining the far-ranging careers of both Fripp and David Sylvian. Both are respected musicians whose reputations were
by Dave Rimmer Having spent over five years behind a thick layer of make-up, David Sylvian has emerged from the cocoon of Pop Celebrity to make a butterfly foray into the avant-garde. His new work lies somewhere between wallpaper and revolution. But nobody seems quite sure.
Spurning Japanese by Simon Dudfield and A.J. Barratt (NME, Sep. 1991) David Sylvian has little time for his last group, glam rockers made good JAPAN, so why has he chosen to team up with his old cohorts again as ambient moodies Rain Tree Crow? Simon Dudfield puts it down to the peculiar flight path of `true art’. Seconding that emulsion:
by Mark Prendergast Originally published in two parts; Record Collector April and May 1990.
by Josef Woodard
Inexorably Sylvian by Nile Larsen (Details, April 1988)
by Mike Gee. Originally published online on www.thei.aust.com.
Exorcising Ghosts (Rain Tree Crow) by Mark J. Prendergast (Lime Lizard, May 1991) From surrealist parrots to the japan reunion, Mark J. Prendergast gets ambient with David Sylvian who explains why it’s o.k. to shout insults at bricks.
“The Day After” by John Diliberto (Jazziz Magazine May 1994) Crisis as a source of art has always been romanticized in the West. You’ve got to suffer if you want to sing the blues, cut off your ear if you want your art to bleed, and endure the pits of depression if you want to leave something behind when
Barnes & Nobles special published online in january 2001. Currently removed.
